A Weird Thing Happened

In 1987 Dell published my single title paranormal romance The Dreaming Pool. I wrote the book as Paula Christopher for my sons Chris and Paul. The plot involves a stolen racehorse owned by the hero, Gage Roundtree. The heroine is Eslin Hillary, a clairvoyant. I figured you’d need a clairvoyant to find a 1200-lb. horse that has apparently vanished off the face of the earth.

My characters finally find the horse in Oaxaca, Mexico. On their way there (Oaxaca is near the border with Guatemala) they stop off in Mexico City. As I was writing this scene, I heard on the 6 o’clock news that a horrible earthquake had flattened a large part of the city. I freaked and called my editor and asked her if I should take Mexico City out of the book. No, she said, because I wasn’t specific about the year my characters were there. She also assured me that I had not caused the earthquake.

But I wondered….

In 1993 I wrote Aftershock for Harlequin Temptation as a part of a 4-book series called Passion’s Quest. Each book centered on one of the four elements, earth, wind, fire and water. I wrote about earth. The plot of Aftershock involves a little gizmo I dreamed up called the TAQ box, which stands for Tremor and Quake Warning Device.

The hero of the story invents it and the heroine’s father steals it. The machine is designed to detect an earthquake, but if you crank it up too high, it will cause one. Of course it falls into the wrong hands and my characters, Sheridan and Rockie, have to get it back before the bad guys blow up a Middle Eastern oil field. Earlier in the book the bad guys use the TAQ box to set off a couple little test quakes in the Mojave Desert.

Aftershock had no sooner hit the bookstores in February of 1994 when the Northridge earthquake struck California. The TAQ box is a figment of my imagination. I did not cause the Northridge quake or the one in Mexico City, but I’ll tell you what -- I’ve sworn off writing about natural disasters.

I do love to write about weird stuff – woo-woo, as I call it – but I was more careful next time. I wrote Nightwing, a vampire story so I wouldn’t have to worry about a sudden invasion of the undead attacking the world.

I also think a lot of the lore about vampires is pretty silly. I wanted to poke fun at it and make a point that has always escaped me when I read vampire stories. I don’t care how gorgeous the vamp is, why would any right-headed woman want to spend eternity with a blood-sucking monster?

To accomplish that I had to change my vampire hero back to a mortal man. That part of the story, the method I used to return Johnny Raven to the land of the living, I made up. I guess I did a pretty good job because I can’t tell you how many people asked me to tell them the title of the book where I’d found all that cool stuff about vampires. I told them I’d made it up, but I’m not sure they believed me.

Temptation had just published Nightwing when I went to Hawaii for the Romance Writers of America's national Conference. Aftershock was a finalist for the RITA award, and I wanted to be there in case I won. I didn't. The next year, Nightwing was a RITA finalist in the Paranormal Category.

About the same time Nightwing came out, Harlequin American published a vampire novel by Margaret St. James aka Maggie Osborne, Love Bites. Great title. Wish I’d thought of it.

At the Harlequin party in Hawaii, I was sitting on a terrace by the beach with my shoes off listening to the surf when four women wandered up and joined me. One of them recognized my name on my conference badge and connected it to Nightwing. She’d read the book and loved it. So much that she told her friends how great the book is and that they must read it. And then she started to tell them the plot – only she told them the plot of Love Bites.

I didn’t say a word. I just smiled and thought, “Oh well. At least she got my name right.”

Aftershock is available on Kindle, Nook and at All Romance Ebooks. Nightwing is also available on Kindle, Nook, and at All Romance Ebooks.

The Story Behind the Story -- Remembrance

This is The Book That I Thought Would Never Sell. Hannibal had an easier time getting the elephants over the Alps than my agent and I had selling this book.

Like Second Sight, Remembrance was a story that I worked on for years, on and off, and like Second Sight, I started writing Remembrance while I was in college. I did a lot of theater in college, one act plays, Nora in The Doll House. I even did musical reviews, but since I have a voice like Lucy Ricardo I was always in the chorus.

Remembrance has a theatrical background, but it's way, way in the background. Fundamentally this is ghost story. Here's the book description:

Cathy Martin doesn't believe in ghosts -- until she arrives at her famous grandmother's home on Martha's Vineyard to coauthor the actress's memoirs. Eight writers have already fled the island, and soon Cathy, too, is questioning the strange goings on -- and the motives of Fin McGraw.

Fin, the embodiment of her late grandfather as a young man, has become the constant companion of Cathy's very eccentric and very rich grandmother. He claims to be a struggling actor, yet his story rings false.

Cathy is suspicious even as she craves his touch, his scorching kisses. Does Fin have love or larceny on his mind?

I used a scene from Remembrance as as assignment in my creative writing course, the scene where Cathy, her grandmother Cat, and Had the gardener all puff like crazy on fat black cigars provided by Cat's major domo, Helmut, to chase away Cat's very selfish and very allergic daughter, Patsy. Everyone in the class laughed when I read it aloud.

When I finished, the professor said that the story might someday make a "very nice little romance novel." That was the first I'd ever heard of romance novels, so I didn't understand his condescending tone. When I figured it out later, and when Remembrance was nominated for a RITA, the Oscar of romance writing from the Romance Writers of America, I thought about looking him up and giving him the raspberry.

Remembrance was my first book for Harlequin. Before Temptation bought it, my agent had sent the book to every romance publisher in New York. For a year and a half Remembrance made the rounds. The editors that read the proposal loved it, but passed on buying the book because they couldn't categorize it. The book is a romance, but it's also a ghost story with a strong reincarnation theme. In those days most publishers were not interested in paranormal stories. Remembrance was a square peg book looking for a home in a world of round hole publishers.

I was bummed, so was my agent, but we'd given it our best shot. I sighed and tucked Remembrance away in a drawer.

About a year later I attended a romance writers conference. Susan Shepherd was then an editor at Temptation. In her workshop she said she was looking for unusual stories, stories that didn't fit the norm of romance. That was Remembrance. I called my agent and told her what Susan had said.

What the heck, we decided. The book was just collecting dust so we brushed it off and sent it to Temptation in Toronto. Since we'd had no takers in New York, neither one of us expected much -- I think that's why we forgot about it. Yep, that's not a typo. We forgot about it.

Almost a year to the day later my agent called, so excited she could hardly talk. Susan Shepherd had called her and wanted to buy Remembrance. I was flabbergasted -- and thrilled.

I dedicated the book to Judy and Marie, members of my critique group, and two of the books toughest critics. They loved Remembrance but told me flat out that the first chapter stunk. Thirty-four times it stunk. I finally got it right on the thirty-fifth draft. That's not a typo, either -- I rewrote the first chapter thirty-five times.

This story has two lessons. One, never give up on a book that you love, and two, keep rewriting till you get it right.

Remembrance is available on Kindle, Nook, and at All Romance Ebooks.